Published: April 2007

Hip Hop Culture

Hip Hop Planet

Hip Hop Planet

Whether you trace it to New York's South Bronx or the villages of West Africa, hip-hop has become the voice of a generation demanding to be heard.

By James McBride
Photograph by David Alan Harvey

This is my nightmare: My daughter comes home with a guy and says, "Dad, we're getting married." And he's a rapper, with a mouthful of gold teeth, a do-rag on his head, muscles popping out his arms, and a thug attitude. And then the nightmare gets deeper, because before you know it, I'm hearing the pitter-patter of little feet, their offspring, cascading through my living room, cascading through my life, drowning me with the sound of my own hypocrisy, because when I was young, I was a knucklehead, too, hearing my own music, my own sounds. And so I curse the day I saw his face, which is a reflection of my own, and I rue the day I heard his name, because I realize to my horror that rap—music seemingly without melody, sensibility, instruments, verse, or harmony, music with no beginning, end, or middle, music that doesn't even seem to be music—rules the world. It is no longer my world. It is his world. And I live in it. I live on a hip-hop planet.

High-stepping

I remember when I first heard rap. I was standing in the kitchen at a party in Harlem. It was 1980. A friend of mine named Bill had just gone on the blink. He slapped a guy, a total stranger, in the face right in front of me. I can't remember why. Bill was a fellow student. He was short-circuiting. Problem was, the guy he slapped was a big guy, a dude wearing a do-rag who'd crashed the party with three friends, and, judging by the fury on their faces, there would be no Martin Luther King moments in our immediate future.

There were no white people in the room, though I confess I wished there had been, if only to hide the paleness of my own frightened face. We were black and Latino students about to graduate from Columbia University's journalism school, having learned the whos, whats, wheres, whens, and whys of American reporting. But the real storytellers of the American experience came from the world of the guy that Bill had just slapped. They lived less than a mile (1.6 kilometers) from us in the South Bronx. They had no journalism degrees. No money. No credibility. What they did have, however, was talent.

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