You pass up the Slingshot for the double Ferris wheel. An excellent clothes dryer, lifting you up above the honky-tonk, a nice breeze in your pants, in a series of parabolas, and at the apex you look out across the gaudy uproar and the blinking lights, and then you zoom down for a close-up of a passing gang of farm boys in green letter jackets and then back up in the air. You tell your child that this Ferris wheel is the ride that, going back to childhood, you always saved for last, and so riding it fills you with nostalgia. She pats your hand. "You'll be all right, Dad," she says. After ten minutes you come down nice and dry, and also the food has settled in your stomach, and you're ready for seconds.
Of the Ten Joys, the one that we Midwesterners are loath to cop to is number three, the mingling and jostling, a pleasure that Google and Facebook can't provide. American life tends more and more to put you in front of a computer screen in a cubicle, then into a car and head you toward home in the suburbs, where you drive directly into the garage and step into your kitchen without brushing elbows with anybody. People seem to want this, as opposed to urban tumult and squalor. But we have needs we can't admit, and one is to be in a scrum of thinly clad corpulence milling in brilliant sun in front of the deep-fried-ice-cream stand and feel the brush of wings, hip bumps, hands touching your arm ("Oh, excuse me!"), the heat of humanity with its many smells (citrus deodorant, sweat and musk, bouquet of beer, hair oil, stale cigar, methane), the solid, big-rump bodies of Brueghel peasants all around you like dogs in a pack, and you—yes, elegant you of the refined taste and the commitment to the arts—are one of these dogs. All your life you dreamed of attaining swanhood or equinity, but your fellow dogs know better. They sniff you and turn away, satisfied.
Some state fairs are roomier, some gaudier, but there is a great sameness to them, just as there is a similarity among Catholic churches. No state fair can be called trendy, luxurious, dreamy—none of that. Nothing that is farm oriented or pigcentric is even remotely upscale.
Wealth and social status aren't so evident at the fair. The tattooed carnies who run the rides have a certain hauteur, and of course if you're on horseback, you're aristocracy, but otherwise not. There is no first-class line, no concierge section roped off in the barns. The wine selection is white, red, pink, and fizzy. Nobody flaunts his money.
The state fair, at heart, is an agricultural expo, and farming isn't about getting rich, and farmers discuss annual income less than they practice nude meditation on beaches. Farming is about work and about there being a Right Way and a Wrong Way to do it. You sit in the bleachers by the show ring and see this by the way the young women and men lead their immaculate cows clockwise around the grumpy, baggy-pants judge in the center. They walk at the cow's left shoulder, hand on the halter, and keep the animal's head up, always presenting a clear profile to the judge's gaze, and when he motions them to get in line, the exhibitors stand facing their cows and keep them squared away.